Be Still

€44,95

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Pigment on Hahnemühle German Etching, 310 g. Matt, natural white, with a soft felt texture. Uncut, with a margin of bare paper around the motif.

Both sizes carry the same motif at the same proportion.

Size A3
Two sheets A3 and A2, the same motif at the same proportion.

Sent from Germany.

Details

A rowing boat on water that has not moved since dawn. Pink sky, pines on the rocks, nobody in a hurry. Painted thick. Underneath: Psalm 46:10.

Fine art pigment print on Hahnemühle German Etching, 310 g, matt. Uncut sheet; the motif and the verse sit inside a white margin.

A3 · 29,7 × 42 cm
A2 · 42 × 59,4 cm

Paper and care

Pigment on Hahnemühle German Etching, 310 g. Matt, natural white, with a soft felt texture.

Shipping and returns

Sent from Germany.

Returns and exchanges: see the returns policy.

What arrives

The print, unframed and uncut, with its margin. That is it.

Volume I · The Paper

German Etching, felt-textured.

The sheet is Hahnemühle German Etching, 310 grams to the square metre. The surface has a soft, felt-like texture, the kind etchings are printed on. Matt, natural white. Move across it.
Corner of the sheet: cotton margin and the edge of the motif
Move to magnify
The paperHahnemühle German Etching, from the mill in Dassel. Acid-free, made to hang for a long time.
NaturalNo optical brighteners. The white you see is the white it stays.
MattCold press, textured. Light sinks into it instead of bouncing off.
Glossy paper is brighter under shop lights. It also shows every fingerprint and every reflection of the room. We took the other trade.
The Print

Pigment, not dye.

How a sheet is made, in three steps and no hurry.
Uncut sheet on the worktable
  1. I

    The file

    Each print begins as one file, drawn for this sheet and no other. Nothing is cropped to fit a standard.
  2. II

    The press

    Pigment inks, laid down by a fine art printer. Pigment sits on the paper rather than soaking through it, which is why it holds its colour where dye lets go.
  3. III

    The sheet

    Uncut, without crop marks. The motif sits inside a margin of bare paper. Trim it, mat it, or leave it; the margin is yours.
We could put these through a poster press. They would arrive faster. They would not be the same object.
The Sheet

Two sizes. One margin.

Both sheets carry the motif at the same proportion, with bare paper around it. Choose the wall, then the sheet.
  • A3297 × 420 mm — the sheet in the photographs
  • A2420 × 594 mm — the larger of the two
  • MarginUncut, no crop marks. Trim it, mat it, or leave it. It is yours.
A3 is the sheet for a hallway or a desk. A2 wants a wall of its own.
Keeping it

Behind glass, out of the sun.

Print in an old oak frame with a mat, on a white wall
  • GlassAny frame with glass. Museum glass if you like the print more than the window.
  • The matThe margin is cut for a mat. Let the mat sit on the paper, not on the motif.
  • SunPigment is patient, but direct sun wins eventually. Hang it where the light is kind.